The only program in the country solely devoted to the creation of original queer performance works.

Through this program, Buddies commissions and develops new queer work for the stage. Using an artist-centred approach, we work with writers, theatre collectives, directors, performance artists, and choreographers to create meaningful opportunities to explore new work and the creation process through a distinctly queer lens.

This season, with our building largely closed to public performances, resident artists will be able to make use of the Chamber space to develop their works throughout the year. These may involve small public presentations, but the main goal for the time is to allow resident artists to develop their work. As our focus shifts this year to reflection and experimentation, we are excited to approach new working models through our Residency Program.

 In addition to more access to the space and technical resources, we are devoting more financial resources to residency artists, with artist fees for creation and rehearsal time. We will also be reimagining expectations around the time commitment of rehearsals, experimenting with a 25-hour work week. As well, as we undertake an organizational review this Fall, resident artists will have paid opportunities to consult and contribute to the process.

2021-22 Artists in Residence

Martin Julien– The Man That Got Away (A Special Appearance)

An unmapping, through space and time, of the artist’s experience growing up in a nuclear family with a lesbian mother and gay father in mid-twentieth century Toronto. Drawing on the joy and eroticism of cabaret, musical theatre, confessionals, and the power of family heirlooms, this project weaves family secrets into a space of liberation, memory, desire, and truth.

Pencil Kit Productions – WHITE MUSCLE DADDY

When masculine and muscular beauty Eugene walks into night-shifter Jeremy’s gym it’s like a bolt of lighting – a reminder of how inadequate Jeremy’s life has begun to feel. It’s not long before an obsession grows, upending Jeremy’s entire world. Nothing can deter him from his lust, not even suspicions that Eugene could have something to do with a rash of missing gay men, or that he could be an actual vampire. When Jeremy gives in to his desires, it’s his partner, non-binary community worker Gustavo, and their best friend, trans filmmaker Lucy, who must deal with the fallout, leading to a final showdown that could alter the balance of power for good. WHITE MUSCLE DADDY is a large-scale subversive horror/thriller that will be staged in an immersive, cinematic theatre style, including the use of projections, live video, and shadows.

Heath V. Salazar – Francis

Now entering the fourth year of their residency, Heath V. Salazar continues writing and developing a new canon of work. This season, part of their focus will be creating an innovative methodology that engages an ensemble in their work which prioritizes the holistic safety of the individual within the collective.

The We Other Sons Collective – What’s Done, Must Come

A group of artists from a variety of forms gather to discuss shame and sexuality as Queer Men of Colour in this collectively created and searing work.

Since launching in 2010, the Buddies Residency Program has yielded the following Mainstage productions

  • Obaaberima by Tawiah Ben M’carthy (Buddies 2012-13 // National Arts Centre + The Cultch 2014-15 // Buddies 2018-19)
  • Of A Monstrous Child: a gaga musical by Ecce Homo Theatre (Buddies 2012-13)
  • The Gay Heritage Project by Damien Atkins, Paul Dunn, and Andrew Kushnir (Buddies 2013-14 // Buddies, The Citadel, The Cultch + The Belfry 2015-16 )
  • Freda and Jem’s Best of the Week by Lois Fine (Buddies 2014-15)
  • Gertrude and Alice by The Independent Aunties – Anna Chatterton, Evalyn Parry, and Karin Randoja (Buddies 2015-16)
  • Body Politic by Nick Green (Buddies 2015-16)
  • Black Boys by Saga Collectif – Stephen Jackman-Torkoff, Tawiah M’Carthy, Thomas Olajide with Virgilia Griffth and Jonathan Seinen (Buddies 2016-17// Buddies, The Cultch, High Performance Rodeo + Black Theatre Workshop 2017-18)
  • LULU v.7 // aspects of a femme fatale by ted witzel, Susanna Fournier, and Helen Yung (Buddies 2017-18)
  • Kiinalik: These Sharp Tools by Evalyn Parry, Laakkuluk Williamson Bathory, Erin Brubacher, Elysha Poirier + Cris Derksen (Buddies 2017-18 // Qaggiavut, PuSh International Performing Arts Festival, Espace Libre, Luminato 2018-19 // Edinburgh International Festival, NAC Indigenous Theatre 2019-20)
  • Shove It Down My Throat by Johnnie Walker (Buddies 2018-19)

If you have questions about the Buddies Residency Program, please contact Daniel Carter, Interim Programming Director at daniel@buddiesinbadtimes.com.

photo of Heath V. Salazar by Dylan Mitro, styling by Vanessa Magic, hair and makeup by Robert Weir