Witness the living through the eyes of the dead. Roberto Zucco lures us into the wet streets and gloomy rooms of 1980s Europe, where a charming antihero battles his cosmic urge to kill. Written as he was dying in 1989, Koltès’ sordid swan song is Greek tragedy kissed by Gregg Araki—breathlessly violent but with a pitch-black wit and occasional syrupy sweetness that leaves you disarmed. Caught between the realms of true crime and grotesque fantasy, the play shines a blistering sun on our darkest impulses; by the end, you’ll wonder if we’re just flightless birds in the face of our fates.