After five seasons as Artistic Director of Buddies In Bad Times Theatre, Evalyn Parry will be stepping down from her role on September 15, 2020. While Evalyn has decided to leave at this time to deal with family health issues, …
Updates and timelines in regards to our commitment to organizational review
Even now, as I’m writing this, I have Netflix on and I keep going back to Café Panic on my phone to build my café empire, which is infinitely more satisfying than anything else I could be doing for some reason, which is … probably way more sad than it is funny.
In my pre-COVID world, binge viewing was the default mode. Now, pace has become my strategy for survival. In a moment when time is amorphous and frequently daunting, I use these self-contained, individual seasons to mark time and the passage of it.
A ritual on Zoom is not something you can just watch, like digital, performative experiences nowadays. The participants are gathered in an assembly of sorts, like in live theatre: the ritual cannot happen without an audience that can sense each other. And yet there’s a distance.
I have put trust in a government that carries a bad history of lying. I tell myself it’s kinda like that lover who keeps breaking your heart and you keep saying “okay it’s fine whatever” because a part of you is just waiting for the relationship to somehow end and the other part of you knows that those are the only four words this language has allowed you to learn, practice and speak.
Here’s the best part. When we can finally see each other again, we will all have a renewed love for social interactions and friendships. Having been through that once, it’s the thing that is giving me the most hope.
It’s a beautiful mess. The mad, disabled and chronically-ill life, a place of vulnerability and marginality, is inseparable from a world where merely existing can be laborious.
For a hot second I worried I had totally lost touch, but the truth is that the reason I make art at all is because I want to make our world better. I could talk your ear off about my theories on art’s relationship with society and politics, but at the end of the day, cut and dry that’s what I’m about.
It’s no secret to anyone who knows anything about me at all that I love horror movies. In the 1980s, I prayed at the altar of the local video store. For a rural, small-town boy, with only limited access to blockbuster movies at the local movie theatre, each VHS tape introduced me to new worlds and experiences.