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Staging Roberto Succo: On Violence, HIV and AIDS, the Nuclear Family, and Wedging Possibility Against Hopelessness 

After these brief encounters with the killer’s story, Koltès knew he wanted to write a Succo play, but he was more interested in myth than documentary. In one interview, he said “no, I’m not investigating, I definitely don’t want to know more. This Roberto Succo has the great advantage that he is legendary.” The playwright started writing shortly after seeing the news of the Succo story, without much further research aside from the facts he’d heard on the news. He eventually titled the play Roberto Zucco, after an alias that Succo used to evade border agents when a warrant was out for his arrest under his actual surname. 

A SPACE THAT HOLDS IMPOSSIBLE ASKS [BUDDIES’ REVAMPED VALUES]

A conversation exploring Buddies’ new values betweenArtistic Director, ted witzel and Artistic Associate, Erum Khan,Creatively composed + edited by Susanna Fournier IT’S BEEN A MINUTE SINCE BUDDIES REVISED ITS VALUES. WE ACTUALLY DON’T KNOW HOW LONG, BUT WE KNOW THEY …

A Pisces’ Guide to Passion, Limerence, and the Gaymerican Dream, or, À La Folie

“I’m sick and I’m in love.”“You seem the sort of person who confuses the two.”“That’s right. That’s the first time you’ve been right. I confuse the two and I don’t care.” — Magnolia (1999) My walks home from WHITE MUSCLE …