Staff

ted witzel

ted witzel (he/him) is a queer theatre-maker and artistic leader from toronto / tkaròn:to. primarily a director, ted is also variously a dramaturg, curator, teacher, writer, translator, designer, and performer. he has worked with theatres and cultural organizations across canada, the uk, germany, and italy.

fusing high-octane performance, rigorous dramaturgy, digital aesthetics, and poetic text, ted’s directing is located at the intersection between the personal and the political, and the (visceral, emotional, intellectual) frictions between them. 

ted was a guest curator for the 2023 edition of the summerworks festival and is a member of the theatre committee at the toronto arts council. he recently completed a four-year tenure as artistic associate and laboratory director at the stratford festival, where he oversaw the company’s research and development programs. these included a broad portfolio of new works in development, equity-focused systems change, artist residencies, and a collection of artistic explorations and programs that aim to help imagine the future orientation of the company.

ted holds a masters of arts management from SDA bocconi and an MFA in directing from york university and canadian stage. in 2018, he was selected as an artistic leadership resident at the national theatre school, and was a member of the banff centre’s 2019 cultural leadership cohort. he has been artist-in-residence at harbourfront centre, buddies in bad times (toronto) and institut für alles mögliche (berlin). ted also runs a project-based theatre company called the red light district. 

Erum Khan

Erum Khan (she/her) is a multidisciplinary artist, infamously known for her devotion to cats despite her allergies. She was a recent recipient of the Urjo Kareda Research grant from Tarragon Theatre, Buddies in Bad Times Theatre Queer Emerging Artist Award, and a selected artist for the inaugural edition of the Loughborough Lake Writer’s Retreat with Crow’s Theatre and Mongrel Media. She is a performer, film and theatre maker, youth facilitator, and film programmer. Her short films have premiered at The Toronto Queer Film Festival, Breakthroughs Festival, The Toronto Independent Film Festival and The Rendezvous With Madness Festival. She was a playwright with Nightwood Theatre’s Write From The Hip program, a co-facilitator of the TD Emerging Creators Unit at Paprika, as well as recently leading the Emerging Creators Unit & Emerging Artist Producers Series at Buddies. You can read more about her work here erumkhan.ca

Kristina Lemieux

Kristina Lemieux (she/her) is a contemporary dancer and accomplished arts manager with more than 20 years of professional experience across Canada. In all that she does, Kristina works to support independent artists across performing disciplines in finding ways to make art outside of the currently prescribed modes.

Raised in Treaty 6 territory (rural Alberta), Kristina graduated from the University of Alberta and has lived, worked, and played across Canada from Vancouver, Edmonton, Toronto, and most recently, Saint John. Her passion for the arts has driven collaboration, creation, and innovation in the national arts scene for over a decade. In 2016, Kristina made a move to Toronto to take on the role of Lead Producer of Generator. In her five years in this leadership role, Kristina coached over 100 artist-producers to strengthen their producing and financial acumen.

She is now based out of Saint John, New Brunswick, on the unceded traditional territory of Wolastogiyik, Mi’Kmaq, and Peskotomuhkati.

Ludmylla Reis

Ludmylla Reis ( they/them ) is a cultural leader, a theatre director, a filmmaker, a curator, and a producer with a BFA in acting and an MFA in directing, as well as an independent career in project management and cultural studies.

In Leadership, they have completed their Metcalf Foundation Internship with GCTC, NAC, and Black Theatre Workshop; they have been the Co-Artistic Producer at TACTICS and the Member & Organizations Liaison at DARC – Ottawa’s Media Arts Center. Currently, they are the Artistic Associate at Ottawa’s experimental lab, Theatre 4.669 and now the Festival Director at Buddies’ Rhubarb!

In Theatre, they are a Director, a Stratford’s Langham Workshop Alumni, a Cultural Dramaturg, a Deviser, and a Professor, having taught at uOttawa’s BFA for Acting and Scene Study classes.

Twice nominated for the Pauline McGibbons award as an Emerging Director, and Best Emerging BIPOC artist for the Ottawa Arts Council, they have received Awards from Ottawa Fringe for New Works and Prix Rideau for Best Directing.

In film, their first short film, Away, is currently being distributed at CFMDC and has been screened in Canada and abroad, receiving awards such as Best Cinematography. Ludmylla has also worked with the Mirror Mountain Film Festival as a jury member and is an alumnus of the WIFT-TO Mentorship program.

From Pindorama to Turtle Island, they are grateful to work in collective arts, as one can only see a corner of life alone.

Aidan Morishita-Miki

Aidan (he/him) is an arts administrator, stage manager, and plant dad. He’s worked in various capacities with companies including Red Dress Productions, Boys in Chairs Collective, Re:Current Theatre, Ars Mechanica, Hart House Theatre, and SummerWorks. Recently he also worked as a managing producer for FIXT POINT Arts and Media, coordinating various aspects of the company’s The Tale of a Town project. He started volunteering at Buddies in 2012 and has stuck around since.

What’s your favourite spot in the city?
There are lots but one is the east side of Riverdale Park up on Broadview. It’s been the site of first dates, a last date, and I also got baptized on the church at the top of the hill. Riverdale’s where my dad’s family first lived when they moved to Toronto, so it’s got a special place in my heart. It’s also one of the best views of the city skyline. Honourable mentions go to the capybara pen at High Park Zoo and Nirvana (RIP) at College and Bathurst.

What’s your earliest memory of Buddies
I think the first time I came to Buddies was at a club night as a hardly-out gay in my undergrads, with a couple of girls I was in a musical with. Mostly what I remember is that partway through the night, they asked me to point out “the type of guy I was into”. I pointed out a tall, handsome guy, and before I knew it they had brought him over to me. I was mortified. I don’t think I went back to Buddies as a club until after I started working here.

Conrad McLaren

Conrad McLaren (he/they) is a queer theatre artist with a focus on the technical and logistical side of the creative process. They are starting their first season at Buddies at the beginning of the 22/23 season. He is responsible for the technical aspects, limitations, and coordination of production components within the main theatre space. They are a multi talented troubleshooter, tinkerer and locator of lost items. He has been actively reconnecting with his culture and relatives here in Canada, after living in the United States (Tucson and Chicago) for 14 years.

What’s a treasured queer artifact of yours?
My most treasured artifact is a book I received as a high school student from one of my extracurricular activities teacher. The Book is a first edition copy of The Color Purple By Alice Walker from 1982. I was 16 when I received this well read and worn copy. I have read it every few years as a reminder of the happy ending and the found family that was fostered within its pages. 

What’s your favourite spot in the city?
My favourite places always exist with context, vibes, and company. I have never had a favourite spot. I have been to too many places in the world and in this city to rank which spot in the city is my favourite. However I have spots that I love to go to at certain times of day and year. Trinity Bellwoods Park and High Park in autumn, during the early morning hours, when the sun changes the sky into an unimaginable array of colours that contrast with the different colours of the foliage. Kensington market before noon, anytime of year. The Lakefront on a winter’s day, clear skies, the snow and ice particles blowing over the frozen lake, my breath freezing on my eyelashes obscuring my view. 

Rebecca Vandevelde

Rebecca Vandevelde (she/they) is an arts worker based in Toronto; working as a freelance lighting designer and production manager; often taking small indie shows on tour; and sometimes making/curating events, spaces and installation-based experiments with Art is Hard. Rebecca is a member of Means of Production, a collective of Production Managers and Technical Directors. Some highlights include: lighting/touring for Pandemic x Rumble x Theatre Passe Muraille Take D Milk, Nah?, PM/producer for Suvendrini Lena’s Theatre Centre Residency Project Here Are The Fragments., PM for Soundstreams x Signal Two Odysseys, lighting for Aluna Solitudes; PM/SM/touring for Quote Unquote x Why Not Theatre Mouthpiece; curator/lead artist for Theatre Passe Muraille’s Crapshoot Series; PM for the Fringe and Next Stage Theatre Festivals

Katherine Teed-Arthur

Katherine (she/her) is a theatre artist, producer, and administrator with experience as a performer, projection designer, playwright, and technician. Recent productions include Dead Name Theatre’s Into The Woods, and Friendly Bear Theatre’s Joan / Jehanne. She is also an alumni of the 2022-23 cohort of Nightwood Innovators. When she is not working, Katherine is usually singing show tunes, writing about vampires, and playing with her cat, Thesis.

What’s your earliest memory of Buddies?
I first found Buddies while planning to move back to the city. I was so excited to find out that there was a queer theatre with a deep history and I knew when I moved back that I wanted to find out more and see if I could get involved. I first worked here as a technician in March of 2022 and it was immediately one of my favourite places to work.

What’s your favourite spot in the city? 
Christie Pits – in the summer there’s an outdoor film festival, in the winter there’s sledding, in the fall there’s amazing leaves, and in the spring pretty flowers. It’s an all season spot with plenty of food and coffee and bookstores and other stuff nearby!

Al Thomas-Hall

Al/Alison (they/any) is an interdisciplinary writer, designer, and artist based in Toronto. In 2022, they had the pleasure of sound designing two original musicals, Killing Time: A Gameshow Musical & Perfect Bowl of Pho and stage managing for the Just For Laughs comedy festival. They’re now excited to be creating and facilitating the boundary pushing of queer spaces today. They love working with new and emerging artists as well as getting to know all players, big and small, in Toronto’s queer performing arts scene.

What’s a treasured queer artifact of yours?

My most treasured queer artifacts are the ones I’ve inherited from queer elders from various aspects and times of my life. Over the years I’ve been extremely fortunate to inherit a small collection but my favourite has to be the pottery tools. I was lucky growing up that my parents’ social circle included a number of lesbian couples. The closest pair of whom I was the flower girl for their wedding in the early 2000s. Linda was a fellow non-profit/arts worker and lifelong potter and I was lucky to have her influence in my life in any capacity. When she died in 2019, her loss was felt by an entire community. I was incredibly lucky to inherit her personal pottery tools which I still use to this day. I like to think that they allow her to continue to influence me and my practice.

Who is one of your queer icons/heroes?

One of my biggest queer icons currently is Tanya Saunders, the woman who originally opened the cubby hole, a lesbian bar in New York. The story goes that her family fled nazi Germany and settled in New York in the thirties. Since it wasn’t safe to be out, she lived with her wife across the hall from a couple of gay men. They would switch apartments and partners whenever family or visitors came by. In the eighties she eventually went on to open this bar, creating the safe space she was missing and extending it to everyone she could. She was known for regularly buying pizza for her patrons and intentionally connecting new community members with elders, connections that are vital to the survival of our communities.

Paul Therrien

Paul is a freelance musician, playing drums and percussion as an accompanist. With the advent of MP3’s, file sharing and the demise of CDs, he continues to play part time, but has shifted into work in building renovations, expanded into building technologies via George Brown College training and then into property management. He has spent the last fifteen years at Artscape supporting over a thousand artists by providing them with safe and affordable housing and creative spaces. Paul does volunteer work for some local Tenant Advocacy groups and, as a hobby, does tropical plant maintenance for himself and friends.

Katie Clarke

Katie Clarke (they/them) is a playwright, filmmaker, poet, drag artist, and digital marketing expert floating between Halifax, Toronto, and a third space in their brain that resembles a tiny gay gerbil’s nest.

Their favourite Buddies memory is watching @lestertrips (Theatre)’s HONEY I’M HOME at Rhubarb 2024 and feeling like someone crawled inside that gerbil’s nest and pulled all the stuffing out on stage (the rodent featured in the play was a rat though). 🐀

Katie is thrilled to think and work in the Buddies universe, and to translate the magic of the upcoming season for both established and new Buddies’ audiences!

Their work as an artist currently explores the idea of trans and chronically ill time and intimacy. Katie has been writing and directing for theatre since 2019 — of their second play, Halifax theatre critic Amanda Campbell wrote “it is clear from [Clarke’s] eloquent monologues that Clarke is a talented writer and a playwright of promise.”

Recently, they were apprentice director on Neptune Theatre’s production of The Rocky Horror Show, and they directed Daniel Halpern’s The Immaculate Perfection of F**king and Bleeding in the Gender Neutral Bathroom of an Upper Middle Class High School at High Performance Rodeo. With support from the Canada Council for the Arts,

Katie is currently (slowly) adapting their play Women’s Issues into a web series, and workshopping the second draft of their play WHEN WILL YOU BE WELL AGAIN?. They recently wrapped production on their first narrative short film. Katie’s poem “other people’s clothes” was longlisted for the 2023 CBC Poetry Prize.

Katie Saunoris | KSPR

Katie Saunoris (she/her) is an arts publicist based in Toronto / Tkaròn:to. She works with theatres, festivals, artists, and cultural organizations across Canada.

Sebastian Urmom

Sebastian Urmom not only uses all the pronouns that your mama gave they/she/him last night, but is from the borough where all of the cuties come from… Scarborough! With self produced accomplishments including the amplified triology(2020-2022) Seb’s PLAYPEN (2023) and At the Dinner Table with Theatre Passe Marille (2023), Sebastian hopes to use drag to reclaim and foster a healthy/safe relationship with masculinity through live music and queer chaos. If you want to find Sebastian follow them on instagram @sebastianurmom.  Cant wait to see you at the Box Office

Chris Ironside

Chris Ironside received his MFA from York University and BA from the University of Guelph. His drawings and photographs have been exhibited throughout North America. His work has been featured in the Globe and Mail, C Magazine and Headmaster Magazine, and exhibited at Angell Gallery, Daniel Faria Gallery, the Canadian Lesbian and Gay Archives and the Gladstone Hotel (Toronto), Art Gallery of Peterborough (Peterborough), Four-Eleven Gallery (Provincetown) and with ClampArt at the Art on Paper Fair (New York). He has formerly taught in the School of Fine Art and Music at The University of Guelph and currently teaches photography in the Faculty of Fine Arts at York University.  After several years of being a Curatorial Advisor for ArtAttack! at Buddies in Bad Times Theatre, he is excited to be in the role of ArtAttack! Coordinator.

Showmia Chandrabala

Showmia Chandrabala (any pronoun) has been immersed in arts development for nearly a decade, her passions sprouting from her upbringing in Indian classical dance as an international performer and theatrical producer. They are deeply invested in improving accessibility and increasing intersectionality to the arts nonprofit sector. Outside of their role as Development Manager, Showmia works independently with local artists to aid in outreach, producing, marketing, and grant work. Showmia holds a degree in Development and Communications with a minor in Art History from the University of Ottawa.

Olya Glotka

Olya Glotka (she/her/that bitch) is a Ukrainian-born, Toronto-based, queer, award-winning filmmaker, artist and activist. Through her art, her advocacy and social work, she merges creativity with a drive to make the world a better place – one story at a time.

Olya blends her in-depth training in visual arts, theater, music, and dance to tell stories that make you feel things – whether it’s a gut punch of truth or a dance film that moves you. She has lent her social media expertise to dozens of causes – from fashion brands to trucking companies. And she is also a passionate counselor for the Toronto Rape Crisis Centre.

When Olya is not obsessively checking Buddies’ Instagram or responding to your emails, she travels the world filming for National Geographic or hiding in the bomb shelter in her home country while making her documentary.

Mason McDonald

Mason McDonald (they/them) is a multidisciplinary Métis artist from Treaty 6 Territory, Saskatchewan, now based in Tkaronto. As an actor, choreographer, writer, and poet, Mason’s work is deeply rooted in ensuring trans and queer people are portrayed as multifaceted individuals with rich inner worlds. They challenge reductive stereotypes by celebrating the depth, humanity, and unique experiences within these communities. Drawing from their Indigenous heritage and prairie upbringing, Mason’s creative practice weaves a strong connection to land, identity, and cultural expression. Their performances and written works often explore themes of resilience, belonging, and the intersections of community and self, offering a distinct voice in Canada’s artistic landscape. Mason has received over two dozen awards and recognitions from around the globe for their independent and commissioned choreographic works. They hold a BFA in Acting from Toronto Metropolitan University, are a proud member of ACTRA Toronto, and are represented by Play Management.
Mason is thrilled to work and play at Buddies among some of the most incredible and inspiring humans this earth has ever known! @itsmasonmcdonald